Re: [sixties-l] 1959-1970: A REVOLUTION IN BLACK & WHITE

From: Julie Reuben (julie_reuben@gse.harvard.edu)
Date: Fri Jul 21 2000 - 13:03:37 CUT

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    Does anyone know if these can be ordered on video? I'd be
    interested in them for a class I teach.

    Julie Reuben
    On Thu, 20 Jul 2000 18:01:40 +0100 Jeffrey Blankfort
    <jab@tucradio.org> wrote:

    > I attended the first night of San Francisco's Yerba Buena film series
    > and found it extraordinary, particularly the documentary on the
    > integration of schools in New Orleans, which compared to other Southern
    > cities, was said to be light years ahead in social relations. It wasn't
    > evident then. The vicious hatred demonstrated by the whites in the
    > film, particularly the women, which was replicated throughout the South
    > during that period, places these folks in the same category as the worse
    > of the in South Africa, and ultra-orthodox Jewish settlers in the
    > still-occupied West Bank.
    >
    > One gets the same feeling when watching the affection that George
    > Wallace's constituents showed for him when he announced that he would
    > block the doorway and prevent the first black students from entering the
    > state's university.
    >
    > Bull Conner wasn't abberation. He represented the same mindset as those
    > folks who still believe that the Confederate Flag should be honored
    > because it was part of Southern historical heritage, or that there was
    > honor in serving the Southern cause.
    >
    > Jeff Blankfort
    > > > >
    > > > >
    > > > >
    > > > > Radman sent: Up Against the Camera
    > > > > >
    > > > > > 1959-1970: A REVOLUTION IN BLACK AND WHITE
    > > > > > At Yerba Buena Center for
    > > > > > the Arts, San Francisco,
    > > > > > July 14 through July 28.
    > > > > >
    > > > > > By Kelly Vance
    > > > > > Reviewed July 14, 2000
    > > > > >
    > > > ... The series opens tonight
    > > > > > (Friday, July 14) with a verit glimpse into the
    > > > > > establishment, specifically the war of nerves
    > > > > > between Alabama segregationist governor
    > > > > > George Wallace and the Kennedy White House on
    > > > > > the subject of school desegregation in Drew
    > > > > > Associates' Crisis: Behind a Presidential
    > > > > > Commitment (1963). That feature is
    > > > > > accompanied by a 1961 short on school
    > > > > > integration in New Orleans, The Children Were
    > > > > > Watching, and Edward O. Bland's Cry of Jazz
    > > > > > (1959), an influential examination of the significance of jazz in
    > > > > > African-American culture.
    > > >
    >

    ----------------------------------------
    Julie Reuben
    Email: Julie_Reuben@harvard.edu
    Harvard University Graduate School of Education



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