-- Michel Lenoble | Litterature Comparee | NOUVELLE ADRESSE - NEW E-MAIL ADDRESS Universite de Montreal | ---> lenoblem@ere.umontreal.ca C.P. 6128, Succ. "A" | MONTREAL (Quebec) | Tel.: (514) 288-3916 Canada - H3C 3J7 | (2) --------------------------------------------------------------15---- Date: Mon, 09 Dec 91 19:27:01 EST From: "Andrew J. Bourgeois" <HABOURG@BROWNVM> Subject: Re: Computer in Eco's FP "Foucault's Pendulum" (which I thoroughly enjoyed) employed a PC, nicknamed Abulafia which Diotalevi (or was it Belbo? - it's been awhile since I read it) used to generate possible conspiracy scenarios based on all the data the three characters input from a variety of sources. It was hilarious, but then I'm partially brain damaged from working with the bloody things for so long myself. -Andy (3) --------------------------------------------------------------20---- Date: Tue, 10 Dec 1991 08:49 EST From: Jim Wilderotter -- Georgetown Center for Text and Subject: Foucault's Pendulum KESSLER <IME9JFK@UCLAMVS.BITNET> asked about the computer theme in Foucault's Pendulum. It's been a while since I have read the book (I read it while still in hardback), but I believe the computer was used to gather all the data that the characters could find and helped them to create all the permutations from the data as to what might have been / still was going on. The computer helped them to pinpoint all the locations of activity (in time and space) and to locate when (in the present) that the next activity was to occur. Jim Wilderotter (4) --------------------------------------------------------------21---- Date: Tue, 10 Dec 1991 09:14 EST From: MORGAN@LOYVAX.BITNET Subject: Re: 5.0513 Rs: Grammar; Eco, Computers and Literature (2/71) RE: *Foucault's Pendulum* The computer is essential to the plot! The "author" figure deciphers his friend's discoveries on computer diskette, having had to find the password (light into his friend's mind) first. The friend's discovery of computer writing, and subsequent mania with it, is similar to that of many who become obsessed with the technology and a possible new way to express themselves. I think the computer aspect is extremely important. Leslie Morgan (MORGAN@LOYVAX) (5) --------------------------------------------------------------20---- Date: Tue, 10 Dec 1991 11:08 EST From: LS973@ALBNYVMS.BITNET Subject: Re: 5.0513 Rs: Grammar; Eco, Computers and Literature (2/71) To: Kessler Re: Eco In your reading of Foucault's Pendulum you may have come across a character named Abulafia. Lorre Smith SUNY Albany "Eco Schmeco" (6) --------------------------------------------------------------32---- Date: Tue, 10 Dec 91 11:39:42 EST From: allegre@ERE.UMontreal.CA (Allegre Christian) Subject: More on computers and literature There is no computer theme per se in Umberto Eco's Pendulum. But there is Belbo's computer, and from the point of view of the history of ideas, this is almost a better evidence of the presence of computers in literature than a theme. Remember the first "Filename". It shows Belbo playing with his word processor which represents for him the "ars combinatoria". Page 34-35 in the original italian edition, there is a program in BASIC,; page 37-38 a rando- mization of the word "iahveh". The presence of the computer in Eco's Pendolo shows that the word processor is a not completely neutralized but standardized tool near the end of the 80s, and it may well be the start of a discussion of the _personal_ uses of computers. Christian Allegre (7) --------------------------------------------------------------23---- Date: Tue, 10 Dec 91 20:22 GMT From: George Aichele <0004705237@mcimail.com> Subject: Foucault's Pendulum As I recall, the computer in Eco's novel is named "Abulafia" and is a micro used by the three hero-conspirators for word processing as well as to create and/or organize random words or syllables as part of their Templar/Rosicrucian "scam" (which eventually becomes quite serious and destroys them). One of the disappointments of *FP* is that this subplot remains quite peripheral, unlike the library in *Name of the Rose* -- I expected otherwise from Eco! George Aichele