17.318 criteria for "theory" &c

From: Humanist Discussion Group (by way of Willard McCarty willard.mccarty@kcl.ac.uk)
Date: Tue Oct 21 2003 - 03:47:32 EDT

  • Next message: Humanist Discussion Group (by way of Willard McCarty

                   Humanist Discussion Group, Vol. 17, No. 318.
           Centre for Computing in the Humanities, King's College London
                       www.kcl.ac.uk/humanities/cch/humanist/
                            www.princeton.edu/humanist/
                         Submit to: humanist@princeton.edu

       [1] From: Willard McCarty <willard.mccarty@kcl.ac.uk> (30)
             Subject: criteria for "theory"

       [2] From: Willard McCarty <willard.mccarty@kcl.ac.uk> (11)
             Subject: theory and practice

    --[1]------------------------------------------------------------------
             Date: Tue, 21 Oct 2003 08:09:23 +0100
             From: Willard McCarty <willard.mccarty@kcl.ac.uk>
             Subject: criteria for "theory"

    Thanks to Han Baltussen for asking the now obvious and non-trivial
    question, which is productive of others: what criteria might we hold up for
    a concept of theory in the humanities? Being from a practically orientated
    field, I'd say ones that define a concept which actually helps us in our
    work. Allow me to propose the following:

    (1) the concept identifies a set of behaviours and what they produce, and
    distinguishes both from others;
    (2) it explains the role of this intellectual product in our work;
    (3) it allows us to distinguish good from bad (or strong from weak, etc) kinds.

    Since we already have the relatively tractable idea of modelling (which is
    what computers do), and we know models by definition to be fictional,
    manipulatory devices, the space left over for theory would seem to make it
    declarative and purposefully truth-tending. Ray Siemens proposed recently
    in conversation that theory is that which tells us what to look for by
    other means. Northrop Frye used to suggest that the prime criterion for
    literary critical theory was intellectual fruitfulness. I'd suppose that
    "theory" necessarily means a statement or set of statements in language.
    But, given that we are talking about the humanities, the prior sentence
    should not be taken to imply parsimony. Indeed we should allow that a
    theory could comprise a narrative, should we not? But what kind?

    Some time ago, in a private exchange, John Burrows suggested the idea of an
    "anatomy", as in Frye's Anatomy of Criticism. Would that be a better term
    for the job?

    Comments?

    Yours,
    WM

    Dr Willard McCarty | Senior Lecturer | Centre for Computing in the
    Humanities | King's College London | Strand | London WC2R 2LS || +44 (0)20
    7848-2784 fax: -2980 || willard.mccarty@kcl.ac.uk
    www.kcl.ac.uk/humanities/cch/wlm/

    --[2]------------------------------------------------------------------
             Date: Tue, 21 Oct 2003 08:09:45 +0100
             From: Willard McCarty <willard.mccarty@kcl.ac.uk>
             Subject: theory and practice

    "As Freeman Dyson has pointed out, computers only really took off when they
    built them small and fast, shortening the iteration of design. In part this
    is because the underlying problem is not one of theory, but of practice.
    There was a theory of flight, but it did not help the Wright brothers build
    an airplane. Nor were bicycles designed by theory, but by trial and error;
    indeed, theory still cannot really explain why they work as they
    do." Thomas Baker, "Languages for Dublin Core", D-Lib Magazine, 12/98.

    Dr Willard McCarty | Senior Lecturer | Centre for Computing in the
    Humanities | King's College London | Strand | London WC2R 2LS || +44 (0)20
    7848-2784 fax: -2980 || willard.mccarty@kcl.ac.uk
    www.kcl.ac.uk/humanities/cch/wlm/



    This archive was generated by hypermail 2b30 : Tue Oct 21 2003 - 04:36:17 EDT