15.252 colloquium on the future of music

From: by way of Willard McCarty (willard@lists.village.Virginia.EDU)
Date: Wed Sep 19 2001 - 04:30:09 EDT

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                   Humanist Discussion Group, Vol. 15, No. 252.
           Centre for Computing in the Humanities, King's College London

             Date: Wed, 19 Sep 2001 09:28:04 +0100
             From: NINCH-ANNOUNCE <david@ninch.org>
             Subject: "Future of Music Colloquium" Tues Sept 25: Washington DC

    News on Networking Cultural Heritage Resources
    from across the Community
    September 18, 2001

                                Washington College of Law's
                  Program on Intellectual Property and the Public Interest
                                 Future of Music Colloquium

                                 Tuesday, September 25: 5pm
              Washington College of Law, Room 603, 4801 Massachusetts Ave N.W.
                                       Washington D.C.

    >Date: Tue, 18 Sep 2001 16:52:46 -0400
    >To: Digital Future Coalition Discussion List <dfclist@ala.org>
    >From: pjaszi@wcl.american.edu (Peter Jaszi)
    >On Tuesday, September 25, the Washington College of Law's new Program on
    >Intellectual Property and the Public Interest will host a "Future of Music
    >Colloquium" to explore the organization of the contemporary music industry
    >and its implications for artists and listeners.
    >At 6:00 PM, Jenny Toomey, independent musician and founder of the Future
    >of Music Coalition (http://www.futureofmusic.org), will present an
    >illustrated "behind-the-scenes" tour of the contemporary music industry
    >from the artist's perspective, touching on new technologies, copyright
    >issues, and recording contracts, among many other topics.
    >Following this presentation -- which Ms. Toomey will be soon be taking on
    >a national campus tour -- a panel of experts will discuss a wide range
    >of topics including media concentration, Napster and other peer-to-peer
    >file sharing technologies, the future of fair use, recording industry
    >economics, and artists' rights.
    [material deleted]

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