Humanist Discussion Group, Vol. 13, No. 432.
Centre for Computing in the Humanities, King's College London
<http://www.princeton.edu/~mccarty/humanist/>
<http://www.kcl.ac.uk/humanities/cch/humanist/>
[1] From: NINCH-ANNOUNCE <david@ninch.org> (61)
Subject: CONFERENCE: Computers & History of Art: Sept
[2] From: "Nancy M. Ide" <ide@cs.vassar.edu> (16)
Subject: SENSEVAL 2
[3] From: issei2000@uib.no (35)
Subject: CALL FOR PAPERS: European Education -
--[1]------------------------------------------------------------------
Date: Thu, 24 Feb 2000 19:50:04 +0000
From: NINCH-ANNOUNCE <david@ninch.org>
Subject: CONFERENCE: Computers & History of Art: Sept
NINCH ANNOUNCEMENT
News on Networking Cultural Heritage Resources
from across the Community
February 23, 2000
Computers & the History of Art: CHArt Conference 2000
Moving the Image: visual culture and the new millennium
National Gallery London: Sept. 1-2, 2000
<http://www.chart.ac.uk/cfp2000.html>http://www.char
<http://www.chart.ac.uk/cfp2000.html>http://www.chart.ac.uk/cfp2000.html
CALL FOR PAPERS DEADLINE: April 28, 2000
>As the effects of the digital revolution become more widespread, it is
>clear that the new technology is bringing about an increasingly dynamic
>concept of the image. In the area of the history and analysis of visual
>culture this has implications both for the conventional moving images of
>film and television and for approaches to traditional forms of static
>imagery - such as painting, sculpture and architectural constructions.
>
>In this conference we set out to explore the changes that have taken place
>through the introduction of digital technology to the study, conservation
>and creation of visual artefacts. Amongst the topics we will be covering
>will be;
>
>* Recording moving and static imagery.
>* Reconstructions and simulations. Exploring pictures and buildings in time.
>* Moving images on the Internet. Image delivery.
>* The construction of virtual museums and visual archives. Official and
>'pirate' sites. Digital imagery and the Law.
>* Effects on the meaning and interpretation of works or art.
>* 'Fidgetal' Imagery. The drawbacks of motion.
>
>**Call for Papers
>
>Chart welcomes contributions of the theme of movement and the image from
>all involved in the study, analysis, conservation and management of works
>of art and other forms of visual culture. Speakers will be given half an
>hour each for the presentation of their paper.
>
>Submissions to be received by Friday 28th April 2000.
>
>Please send your paper title, together with a 300 word synopsis and your
>cv to;
>Professor W.H.T. Vaughan School of History of Art, Film and Visual
>Media Birkbeck College, University of London
>43 Gordon Square
>London WC1H 0PD
>Tel; +44 (0)171 631 6127
>fax; +44 (0)171 631 6107
>Email w.vaughan@bbk.ac.uk
==============================================================
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--[2]------------------------------------------------------------------
Date: Thu, 24 Feb 2000 19:50:47 +0000
From: "Nancy M. Ide" <ide@cs.vassar.edu>
Subject: SENSEVAL 2
SENSEVAL 2
FIRST ANNOUNCEMENT
CALL FOR EXPRESSIONS OF INTEREST
Following the success of the first SENSEVAL in 1998, we are now
beginning the planning for SENSEVAL-2. As before, it will proceed as
an ACL-SIGLEX activity. The evaluation will take place over a year,
concluding with a workshop in Pisa in Spring 2001.
Last time, there were evaluations for English, French and Italian.
We are keen to encourage evaluations for further languages, so would
particularly like to hear from people who are interested in setting up
evaluations for the language they work in.
If you wish to join the discussion group that works out how the
evaluation should proceed (and were not on the mailing list for the
first SENSEVAL) please let me know and I will add you to the list.
Adam Kilgarriff
SENSEVAL co-ordinator
adam@itri.bton.ac.uk
--[3]------------------------------------------------------------------
Date: Thu, 24 Feb 2000 19:52:20 +0000
From: issei2000@uib.no
Subject: CALL FOR PAPERS: European Education -
CALL FOR PAPERS
Section V of the 7th Conference of the International Society for the Study
of European Ideas (ISSEI)
Bergen, Norway, August 14-18, 2000
-----------------------------------------------------------------------------
EUROPEAN EDUCATION - DECLINE, MARKET ADAPTATION OR CRITICAL CONTINUITY ?
-----------------------------------------------------------------------------
Main topics:
1) The perspective of cultural decline and discontinuity in European
education, with a possible "loss of memory"
2) The impact of market adaptation, globalisation and supranational
constructions on educational systems and contents
3) The issue of critical continuity
The international conference "Approaching the Millennium: Lessons From the
Past - Prospects for the Future" is dedicating a section to European
education. About 40 workshops have been established in this section,
thematically ranging from gender issues to innovation strategies, from
multi-cultural aspects to continued education, from the use of new
technologies to post-colonial issues and francophonie.
The section coordinator, Assoc. Prof. Daniel Apollon, invites historians,
philosophers, sociologists and cultural critics as well as specialists in
education and pedagogy to present multidisciplinary contributions.
For complete details, please consult the conference web site:
<http://www.uib.no/issei2000/>http://www.uib.no/issei2000/
----------------------------------------------------------------------------
--------------------
Conference Secretariat, ISSEI 2000
Centre for the Study of European Civilisation
University of Bergen
Haakon Shetligsplass 11
Postboks 7800
5007 Bergen
Norway
E-mail: issei2000@uib.no
Fax: +47 55 58 83 88
URL: <http://www.uib.no/issei2000>http://www.uib.no/issei2000
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