-- =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= Claire Smith / Centre for Computing in the Humanities / University of Toronto 130 St. George Street / Robarts Library, 14th Floor / Toronto, ON / M5S 1A5 Internet: csmith@epas.utoronto.ca / Tel.: (416) 978-2535 / Fax: (416) 978-6519 =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= (3) --------------------------------------------------------------34---- Date: Fri, 2 Dec 94 13:11:47 +0100 From: he229bu@unidui.uni-duisburg.de (Burr) Subject: Spanish text analysis program I am looking for a Spanish text analysis program which does concordances, word lists etc. more or less like TACT. Does anyone know whether such a program exists and where I could get hold of it? I would prefer a pro- gram running under Windows, but am interested, too, in programs running under DOS. Thank you in advance for your help. Dr. Elisabeth Burr FB3/Romanistik Gerhard Mercator Universitaet Duisburg Lotharstrasse 65 47048 Duisburg Tel.: +49 203-3792605 Fax.: +49 203-3793333 Email: he229bu@unidui.uni-duisburg.de (4) --------------------------------------------------------------36---- Date: Fri, 2 Dec 1994 13:43:42 GMT From: lana@cisi.unito.it (maurizio lana) Subject: PHI/TLG cdrom software I wrote to Mr. Burckhardt Meissner who, supposedly, wrote a program to manage TLG and PHI cdroms and to do +stylistic analyses;. I got his address (snail mail address) from the TLG newsletter, wrote to him at that address, but got no answer. Does someone know if he changed his address, or anything else? Many thanks. If possbile CC: directly to me your answer. Maurizio Maurizio Lana - CISI Universita'di Torino Via S. Ottavio 20, Torino - Italy fax 39 11 8991648 (5) --------------------------------------------------------------36---- Date: Mon, 05 Dec 1994 14:38:39 GMT From: LONDON <udle084@bay.cc.kcl.ac.uk> Subject: One-man Play I am at the final stages of a Ph D program at King's College, London. I should be gratefulfor any information on history/characteristics of the One-man play. I have not found it as a term of reference. My interest is primarily in any 19th cent. examples. The closest I have come is the "Monodrama", which was a mixture of panto., ballet, and monologue, popular in France during the ancient regime. By the time it entered England in the late 18th cent.it had turned into what we would recognize as a one-man show (there were instances of music and non-speaking parts). I have come across plays by Sayers and Wharton around the 1800s, and "Maud", of course, is subtitled "a monodrama". I have traced it farther back to the Greek practice of sasoriae (sp?), epistolary monologues (Ovid), and death-bed monologues. If anyone can add to this, help, or direct me in any manner, I should be most anxious to return the favour. Thank you. Kian Soheil udle084@bay.cc.kcl.ac.uk